About 34 minutes
The declaration and confession of Robert Watt — Edition Insights
Science Fiction Utopias
7,743 recorded words. 0 minutes difference from this book's estimate.
View Gutenberg source #70332The Will of Samuel Appleton, with Remarks by One of the Executors — A Closer Reading can be approached with a clearer sense of reading commitment from its source measurements: 7,745 words, 34 min estimated reading time, and 2 detected text sections.
The text analysis averages about 20.4 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Wills -- Massachusetts,” connecting these edition facts with the source record’s subject description.
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About 34 minutes
Science Fiction Utopias
7,743 recorded words. 0 minutes difference from this book's estimate.
View Gutenberg source #70332About 35 minutes
Science Fiction Utopias
7,890 recorded words. 1 minutes difference from this book's estimate.
View Gutenberg source #26870About 19 minutes
Science Fiction Utopias
4,248 recorded words. 15 minutes difference from this book's estimate.
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The executor's remarks open not with legal analysis but with a deathbed scene: Appleton, after a day of indigestion, says 'I will now try to go to sleep' and dies so gently that the attendant is summoned only after his breathing changes. This intimate vignette immediately establishes the document's dual nature—part legal record, part eulogy. The will itself, dated February 28, 1851, and its codicil from October 8, 1852, are presented alongside a recapitulation that tallies bequests with precise dollar amounts, from $200,000 for the widow's mansion to $5,000 for a minister. The tension between personal affection and formal disposition runs throughout.
The remarks frame Appleton's generosity as a consistent trait, citing a newspaper tribute that declares 'All his acts, during a long life, praise him.' The will's structure reinforces this: the widow receives not only $108,000 in personal property but also, via codicil, the Beacon Street mansion with 'all the plate, furniture, pictures, statuary, books, stores, and other household articles'—and a wish that 'no inventory be taken.' This trust in her discretion contrasts with the meticulous appraisals required for other legatees. The recapitulation lists $200,000 to public uses, including institutions like the Boston Athenaeum and Massachusetts General Hospital, suggesting civic duty as a core value. Yet the executor notes that Appleton's marriage to Mary Gore, much younger, was marked by 'unvarying confidence and sincere affection,' and his death prompted universal regard 'unrestrained by any differences of political opinion or of religious sentiment.' The will thus becomes a mirror of the man as the community saw him.
The codicil revokes a clause allowing the widow to purchase plate and furniture up to $8,000, replacing it with outright ownership of the entire household. This shift from option to gift suggests a deliberate softening of legal formality. The will also permits legatees to take property 'at the appraised value' instead of cash, with executors' consent—a flexibility that acknowledges personal attachments to objects. Bonds are to be 'only in a penalty adequate to protect creditors,' minimizing bureaucratic burden. The witnesses—Joseph Tilden, Moses L. Hale, Franklin H. Story, and Francis C. Lowell—are Boston figures, grounding the document in a specific social network. The recapitulation's cold arithmetic ($60,000 to each brother's descendants, $30,000 to each sister's) coexists with the codicil's warm directive that the widow keep all household goods without inventory. This juxtaposition of exactitude and trust defines the document's character.
Nathaniel Ingersoll Bowditch, the executor and commentator, occupies an unusual position: he both administers the estate and interprets the testator's life. His remarks blend biographical narrative with legal explanation, as when he describes Appleton's rise from 'humble prospects' to 'wealthiest merchants' via 'industry and intelligence.' The inclusion of a Democratic newspaper's eulogy—'Never has there been summoned from among us a purer man'—serves to depoliticize the tribute. Bowditch also notes that Appleton died without issue, which explains the dispersal of wealth to siblings' descendants and public institutions. The will's language is formal ('I give and devise unto my beloved wife'), but the executor's framing personalizes it: the deathbed scene, the mention of the wife's 'kind and thoughtful care,' and the observation that Appleton 'enjoyed his usual health' on his last day. This editorial layer transforms a legal document into a character study, though Bowditch never oversteps into speculation.
Readers should approach this text as a hybrid: the will and codicil are primary sources for legal and social history, while the executor's remarks provide contemporary context. Pay attention to what is omitted—no inventory, no dispute, no mention of Appleton's own wishes beyond the codicil's revisions. The recapitulation's final line, 'All the residue to the said descendants,' leaves the total estate unstated, a deliberate gap that invites reflection on what wealth means when it is distributed with such apparent harmony.
There is something tender in reading a will as biography—how a man’s careful clauses outlive him, quieter than any monument. Old Boston lingers there, between Appleton’s lines and Bowditch’s gentle notes. I felt that same hush turning to The declaration and confession of Robert Watt — Edition Insights, where another voice, less certain, still asks to be heard. Odd, how paper keeps such company.
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